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Tag Archives: Magazine Dreams

20 Mar
Tracking & Forecasts

Box Office Weekend Forecast: SNOW WHITE ($37M+), THE ALTO KNIGHTS and MAGAZINE DREAMS Anchor Another Sleepy Early Spring Frame

Posted by author-avatar Shawn Robbins
March 20, 2025
Disney's latest remake will (probably) help the domestic box office avoid a fourth consecutive weekend under $60 million, but the wait for move-the-needle theatrical performers will linger.
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14 Mar
Tracking & Forecasts

5-Week Box Office Forecasts & Tracking: Ryan Coogler’s SINNERS ($36M+) Early Prospects; Significant SNOW WHITE ($37M+) Update Ahead of Next Week’s Opening

Posted by author-avatar Shawn Robbins
March 14, 2025
Will the horror genre finally deliver its first breakout since NOSFERATU?
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07 Mar
Tracking & Forecasts

5-Week Box Office Forecasts & Tracking: THE AMATEUR, DROP, THE KING OF KINGS, WARFARE and THE CHOSEN: LAST SUPPER – PART 3

Posted by author-avatar Shawn Robbins
March 7, 2025
A crop of mid-April releases will populate theater screens as the countdown to summer movie season ticks down. Which ones will stand out?
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28 Feb
Tracking & Forecasts

5-Week Box Office Forecasts & Tracking: A MINECRAFT MOVIE ($55M+) Will Lean on IP and Star Power to Combine Fan and Family Appeal

Posted by author-avatar Shawn Robbins
March 4, 2025
Will the Momoa/Black-led adaptation of a popular Gen Z video game phenom bring out casuals in early spring?
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21 Feb
Tracking & Forecasts

5-Week Box Office Tracking: THE CHOSEN: LAST SUPPER – PART 1 Could Set Franchise Records; Early Expectations for A WORKING MAN, DEATH OF A UNICORN and THE WOMAN IN THE YARD

Posted by author-avatar Shawn Robbins
February 21, 2025
Q1's final weekend is set to offer a handful of options for prospective moviegoers, but which ones will stand out?
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14 Feb
Tracking & Forecasts

5-Week Box Office Tracking: Disney’s SNOW WHITE ($52-71M) Live-Action Remake, THE ALTO KNIGHTS, MAGAZINE DREAMS and More

Posted by author-avatar Shawn Robbins
February 14, 2025
Disney's Latest Legacy Remake Has Been Subject to Severe Online Discourse, But What Does That Mean for Theatrical Potential in the Real World?
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